Traveling through Snow-Covered Mountains
Yao Yanqing
(Tingmei) (Chinese, ca. 1300–after 1360)
Period:
Yuan
dynasty (1271–1368)
Culture:
China
Medium:
Hanging
scroll; ink on silk
Dimensions:
Image:
38 5/8 x 21 1/4 in. (98.1 x 54 cm)
Classification:
Paintings
Credit
Line:
Ex
coll.: C. C. Wang Family, Gift of Oscar L. Tang Family, 2011
Accession
Number:
2011.573
Yao Yanqing, a native of Wuxing in
Zhejiang Province, followed in the footsteps of his fellow townsmen Zhao Mengfu
(1254–1322) and Tang Di (1287–1355) in adopting the landscape idiom of Li Cheng
(919–967) and Guo Xi (ca. 1000–ca. 1090). During the Northern Song (960–1127),
the Li-Guo style had enjoyed state sponsorship, with court artists creating
idealized visions of majestic pines and mountains presiding over hierarchically
ordered landscapes; these could be interpreted as images of enlightened rule
engendering a prosperous and stable domain. Understandably, this style was
preferred for Yuan court commissions and for works produced for northern
patrons serving as officials in the south.
This painting no longer bears an artist’s signature or seals, but its stylistic idiosyncracies identify it unmistakably as the work of Yao Yanqing. Mountain forms are delineated through a schematic alternation of densely textured fissures and stark white areas that resemble pathways. Prominent black dots intended to indicate cavities sit on the painting’s surface. In evoking the earlier master’s style, Yao reduced Guo Xi’s highly descriptive and richly varied texture strokes and contour lines to a limited repertoire of calligraphic mannerisms.
This painting no longer bears an artist’s signature or seals, but its stylistic idiosyncracies identify it unmistakably as the work of Yao Yanqing. Mountain forms are delineated through a schematic alternation of densely textured fissures and stark white areas that resemble pathways. Prominent black dots intended to indicate cavities sit on the painting’s surface. In evoking the earlier master’s style, Yao reduced Guo Xi’s highly descriptive and richly varied texture strokes and contour lines to a limited repertoire of calligraphic mannerisms.
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