Cloudy Mountains
Fang
Congyi (Chinese, ca. 1301–after 1378)
Period:
late
Yuan (1271–1368)–early Ming (1368–1644) dynasty
Date:
second
half of 14th century
Culture:
China
Medium:
Handscroll;
ink and color on paper
Dimensions:
Image:
10 3/8 x 57 in. (26.4 x 144.8 cm) Overall with mounting: 10 5/8 x 336 1/4 in.
(27 x 854.1 cm)
Classification:
Calligraphy
Credit
Line:
Ex
coll.: C. C. Wang Family, Purchase, Gift of J. Pierpont Morgan, by exchange,
1973
Accession
Number:
1973.121.4
Fang Congyi, a Daoist priest from Jiangxi,
traveled extensively in the north before settling down at the seat of the
Orthodox Unity Daoist church, the Shangqing Temple on Mount Longhu (Dragon
Tiger Mountain), Jiangxi province. Imbued with Daoist mysticism, he painted
landscapes that "turned the shapeless into shapes and returned things that
have shapes to the shapeless."
According to Daoist geomantic beliefs, a powerful life energy pulsates through mountain ranges and watercourses in patterns known as longmo (dragon veins). In Cloudy Mountains, the painter's kinetic brushwork, wound up as if in a whirlwind, charges the mountains with an expressive liveliness that defies their physical structure. The great mountain range, weightless and dematerialized, resembles a dragon ascending into the clouds.
According to Daoist geomantic beliefs, a powerful life energy pulsates through mountain ranges and watercourses in patterns known as longmo (dragon veins). In Cloudy Mountains, the painter's kinetic brushwork, wound up as if in a whirlwind, charges the mountains with an expressive liveliness that defies their physical structure. The great mountain range, weightless and dematerialized, resembles a dragon ascending into the clouds.
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