Fisherman's Lodge At Mount Xisai
Li Jie
(Chinese, ca. 1124– after 1191)
Period:
Song
dynasty (960–1279)
Date:
ca. 1170
Culture:
China
Medium:
Handscroll;
ink and color on silk
Dimensions:
Image
(a): 16 x 53 3/4 in. (40.6 x 136.5 cm) Overall with mounting (a): 16 3/8 x 312 1/8
in. (41.6 x 792.8 cm) Overall with mounting (b): 16 3/8 x 333 5/16 in. (41.6 x
846.6 cm)
Classification:
Paintings
In this imaginary depiction of his
retirement retreat the scholar-official Li Jie presents an image of his future
home in a self-consciously primitive manner. The archaic, maplike
image—composed of frontal, schematically rendered mountains and trees, an
archaic "blue-and-green" color scheme, an uptilted ground plane, and
sticklike architecture-directly recalls an early paradigm of the scholarly
retreat: the Wangchuan Villa of the Tang poet-painter Wang Wei (699–759).
Li Jie retired to Mount Xisai in 1184 after an illustrious official career but executed this work about 1170 in anticipation of his retirement, which did not occur until 1184. It was in 1170 that Li also began to solicit colophons to his painting from some of the leading figures of his day, including the statesman and poet Fan Chengda (1126–1193). The resulting combination of painting and poems forms a unique record of Southern Song scholarly collaboration in the creation of a pictorial and literary work that celebrates the ideal of retirement-a phenomenon that anticipates by nearly a century similar artistic collaborations among scholars living under the Mongol Yuan dynasty.
Li Jie retired to Mount Xisai in 1184 after an illustrious official career but executed this work about 1170 in anticipation of his retirement, which did not occur until 1184. It was in 1170 that Li also began to solicit colophons to his painting from some of the leading figures of his day, including the statesman and poet Fan Chengda (1126–1193). The resulting combination of painting and poems forms a unique record of Southern Song scholarly collaboration in the creation of a pictorial and literary work that celebrates the ideal of retirement-a phenomenon that anticipates by nearly a century similar artistic collaborations among scholars living under the Mongol Yuan dynasty.
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