Wednesday, February 4, 2015

Met Collection


http://www.metmuseum.org/collection/the-collection-online/search/49177

Outing to Zhang Gong's Grotto

Artist: Shitao (Zhu Ruoji) (Chinese, 1642–1707)
Period: Qing dynasty (1644–1911)
Date: ca. 1700
Culture: China
Medium: Handscroll; ink and color on paper
Dimensions: Image: 18 1/16 x 112 3/4 in. (45.9 x 286.4 cm) Overall with mounting: 18 7/16 x 363 11/16 in. (46.8 x 923.8 cm)
Classification: Paintings
Credit Line: Purchase, The Dillon Fund Gift, 1982
Accession Number: 1982.126

Zhang Gong's grotto, a famous scenic spot and once the abode of Zhang Daoling (Zhang Gong; 2nd century A.D.), a patriarch of the Daoist church, is located near Lake Tai in Jiangsu Province, not far from the pottery center of Yixing. According to Daoist beliefs, such grottoes are wellsprings of nature's creative force and offer the potential for rejuvenation and renewal.

Shitao's painting of the grotto, done at the peak of his artistic powers, about 1700, is one of his most sumptuous masterpieces. Following an earlier composition by Shen Zhou (1427–1509), Shitao painted as if he were reenacting the cosmic process of creation: by building up layers of energized brushwork in flowery hues of sky blue, pale green, orange, and fuchsia, he transformed Shen Zhou's topographical likeness into a glowing image redolent of nature's procreative power. In a long poem at the end of the scroll, Shitao acknowledges the mystical Daoist attributes of the cave and playfully suggests that through his art he has captured both the cave and its creative force.

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